Mr. Wilson Presents

I was fortunate to catch Kathy Diamond and Maximilian Skiba of The KDMS on their way through Taipei on their recent tour of Asia and quiz them on their songwriting process. You can get more of them at:

DJ and producer Meche Rebelle was kind enough to share his insights on his creative process and the role of the DJ. You can find more of his work at

Reddit user /u/SephyKid writes:

Can anyone help turn this 70 year old sheet music into audio?

Some context:

My grandfather composed numerous songs during and after World War II for my grandmother. He met her in England during his stay and eventually married her. We have a number of records with the music he composed, but this one was found recently without any audio recording with it.

Can anyone perform this piece, or at least synthesize the sounds in the correct tempo and pitch? I can sing, but can’t really read sheet music too well. It would be a nice gift for my aging grandmother. My grandfather passed away almost 20 years ago.

This is the page of sheet music that he included:

In this thrilling episode, Charlie from brings to light the ongoing piano shortage currently sweeping across the Twin Cities piano community. Due to unforeseen economic circumstances that I may have just made up, there are more practicing pianists than there are available pianos*. Reports on the ground suggest that some have resorted to sharing their keyboards in an effort to alleviate the disparity. With no end in sight to the crisis, Charlie has bravely organized an event to help raise awareness of the situation, for which he’s sent out a plea for new works for four hands at one piano.

Never fear, Minnesota. Mr. Wilson is here to help.

This little piece is written around this cantus firmus which lives in the middle voices:

Let me highlight the two predominant accompanimental textures that I used to illustrate what I said in the video about trying to achieve dramatic contrast under the constraint of the range limitation. In the first, we have a little bit of motion pushing us through the downbeat and a staggered attack in the uppermost voice.

In the second, the harmonies are stacked up vertically and we see an ornamental gesture in the far left hand which, in such a low register, provides more textural information than it contributes harmonically.

This last excerpt from my notes is a figure that I ultimately excluded from the piece. It’s a bit more virtuosic than the writing that ultimately made the cut, which is fine in other contexts but here I felt didn’t match the tone of the larger work. This line would also have required me to maintain this more meticulous pianistic style for quite a number of measures, which I wasn’t confident that I could pull off convincingly.

Here’s a mockup and a complete score for your perusal.

*not actually true

I caught up with DJ Sona after a set at Triangle and got his comments on producing for the dance floor.

This is Digital D. He’s a DJ in Taipei and you can get more of him at:

I’ve been spending some time at a club called Triangle where the booking agent has been working hard recently to build a scene for underground house music. I got wind of the place and infiltrated the club with a camera, hoping to satisfy my curiosity with regard to creativity among purveyors of contemporary dance music. If all goes as planned, this will hopefully be the first of a series of talks with club DJs on the business, practice, motivations and various complexities involved in live mixing. Stay tuned and with a little luck we may all learn a thing or two.

I have some big band music for you today in 6/4 time and without drums. I put last week’s music on Reddit’s drum forum and got a response from user /u/youngavlol who was looking for some more drumless music:

Are you open to requests?
Absolutely, I love requests. What can I do for you?
Awesome! Any chance you’d be willing to throw together a 90BPM (or around there) 6/4 track?

I’m happy to oblige. 90 bpm is a bit quick for 6/4 time, so I hope I interpreted the request correctly by writing 90 bpm per dotted half note rather than 90 per quarter note. There is no small amount of ambiguity to the way I chose to use the meter. The rhythm alternates betweens patterns in 6/4 and patterns in 3/2 and there groupings of fours and fives peppered in here and there. I figure that should give an ambitious drummer plenty to chew over.

Now it’s your turn Reddit user /u/youngavlol (or anybody else who cares to) to show us what you’ve got. I’ll be waiting eagerly for your response.